It talks about morality, intellectual strength and fighting for what is right. “Seven Samurai” is more than just a very well-made action film. ![]() Still, nowadays no one seems to talk about the importance and the beauty of this film aside from this trivial information. No matter how complicated the story gets it always comes back to the rain stricken Rashomon gate where the characters tell their stories and meditate.Įveryone knows, by now, that “The Magnificent Seven” is an American remake of Kurosawa’s “Seven Samurai”. ![]() The narrators of the film are found sheltering themselves from the rain as a way to avoid facing the purity of the water that comes down from the sky. Rain has always been important to Kurosawa but in “Rashomon” it represents a key element without whom the film would not present itself so well. “Rashomon” has fascinated audiences since 1950 due to its complex plot but also due to its fantastic black and white images especially those shot in the rain. The recount closest to reality seems to be the one that the viewer tends to dismiss as being too farfetched to be true. What is surprising is that out of the four none of the recounts turns out to be true protecting one’s honor becomes more important than the truth itself. They discuss a recent event that shook the community that involved the bloody murder of a samurai.įour recounts of the same story are told during the film each very different from the other in terms of perspective. Under the protecting roof of the ancient gate of Rashomon, three people (a Buddhist monk, a woodcutter and an anonymous passerby) take shelter from the hard rain. The term Rashomon effect, which took its name from the film’s title, refers to real-world situations in which multiple eye-witness testimonies of an event contain conflicting information. ![]() The film is known for a plot device that involves various characters providing alternative, self-serving and contradictory versions of the same incident. The story line and plot line of the film are actually adapted from this story rather than “Rashomon”. The other short story that inspired the film is “In a Grove”. Except for the introductory scene, where the characters take shelter at the famous gate from the rain, the film follows a different story line than the book. The name (of both the short story and the film) Rashomon refers to one of the city gates in Kyoto (Japan’s old capital city).ĭespite using its name, the film has actually very little in common with the short story. The first story is the one that names the film. The film is an adaptation of two short stories written by Japanese master Ryunosuke Akutagawa. “Rashomon” is a masterpiece of world cinema and one of Akira Kurosawa’s best known films. ![]() This list concentrates on ten great films in which rain is features prominently and not just in a scene or two almost becoming a character in the film. There are countless rain scenes from different movies that any cinephile can name without even thinking about it the famous dance scene from “Singing in the Rain”, the phone booth scene from “Say Anything”, the village shoot-out scene from “Saving Private Ryan”, the kiss scene from “The Notebook”, the famous scene from “The Shawshank Redemption” where Tim Robbins breaks out of prison tasting freedom for the first time in many years, even the bizarre rain of frogs scene from “Magnolia”…and the list can go on forever. In action movies, it is used to make the fight (or battle) scenes look cooler. In romantic movies, it is often used in the climax of the film. The rain is used for dramatic and metaphoric effect usually in key moments of the story. The rain has that certain something that some people look for in a film it’s melancholic, it’s nostalgic, it’s sad, it’s beautiful…it’s many things.Īccording to a recent study one out of three films contains at least one scene in the rain. Never! The weather, in its many forms, will always be a source of great inspiration to filmmakers and it will always play an important part in the story. A list like this – with such a broad subject – will never be complete.
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